This is why Gregorian Chant has often been called a "sung Bible". 这就是为什么格立高圣歌常被叫做圣经演唱。
I grew up in a series of convent schools, wore bonnets to early morning mass and sang Gregorian chant, the popular European classics, english& french folk songs. 我一直都在不同的天主教教会学校受教育,在礼堂参加晨祷需要戴上一顶别致的童帽,平日接触的歌曲是圣歌,流行的欧洲老歌,英国和法国民歌。
Represented by Gregorian Chant, it is a significant source of Western music in a sense. 以格里高利圣咏为代表的早期基督教音乐,从某种意义上来讲,是西方音乐的重要源头。
The musical novice is introduced to the ways in which music is put together and is taught how to listen to a wide variety of musical styles, from Bach and Mozart, to Gregorian chant, to the blues. 它会向音乐入门者们介绍音乐形成的各种方式,并教导如何聆听各种类型的音乐,从巴赫、莫扎特,到格里高利咏叹调,再到蓝调。
It was necessary to have a record collection that contained "a little bit of everything"( except heavy metal): bluegrass, rap, world music, salsa and Gregorian chant. 有必要对“三教九流”(除了重金属音乐)作一个罗列记录:蓝草音乐、说唱音乐、流行音乐、莎莎舞曲和格力高里的圣叹调。
He once lay hidden in a church for three hours listening to Gregorian chant. 他曾经躲在暗处躺着听了三个小时的额我略圣歌。
Gregorian chant also appears to have been an aural music, that is, transmitted by ear and committed to memory-like other music of the world at the time. 格立高音乐也像同时期其他音乐一样曾是听觉音乐&通过耳朵听而记忆。
Gregorian Chant is a musical repertory made up of chants used in the liturgical services of the Roman Catholic Church. 格立高圣歌是由音乐剧组成的在罗马天主教会礼拜用的圣歌。
Chapter Two tells of the music characteristics of Gregorian Chant. 第二章讲述了格里高利圣咏的音乐特征。
Chapter Three introduces the historic value of Gregorian Chant. 第三章介绍了格里高利圣咏的历史价值。
Chapter One mentions the background elements of the creation of Gregorian Chant. 第一章介绍格里高利圣咏产生的背景因素。
This thesis lucubrates Gregorian Chant by the main line of its origin, characteristics and historic value. 本文主要以格里高利圣咏的产生、特征和历史价值为主线,对格里高利圣咏进行了深入细致的研究。
Different chant forms tended to unify owing to the influence of the development tendency of music and the social elements, and Gregorian Chant got the better of the others and took their places eventually. 由于音乐发展的趋势和社会各种因素的影响,多种圣咏形式趋向统一化,最终以格里高利圣咏占据上风,从而取代了其他各种圣咏形式。
Coloratura riff first appeared in Gregorian chant and was developed to its peak by Castratos in the 17th and 18th century. Since then, Coloratura becomes an indispensable important component in bel canto. 花腔唱法最早出现在格利高里圣咏中,在十七十八世纪时,由阉人歌手将其发展至鼎盛,从而使得花腔唱法成为美声唱法中一个不可或缺的重要组成部分。